They are really weird, and I guess they were just a failure at the time. It’s a really weird-looking bass, but it’s got a unique sound, and I just love them for some reason. We used a 1964 Gibson Thunderbird bass and an Ovation Magnum II, which is one of the only good things Ovation has ever done as a company, and they stopped doing it. What different guitars, amps, effects and various instruments were used for the recording of The Moment You Realize You’re Going to Fall? In a lot of ways, it’s almost like the music is just the background buzz to what’s happening between you and the audience in the room. When playing any song in front of an audience, you’re watching them experience it, and it changes. We could be performing some of the first songs we’ve ever written together in front of an audience and have them react, and they’re still like, “Wow.” I’m sick of the song, but they make me not sick of it, you know? It’s like watching one of your favorite movies with someone who has never seen it before. To have people react to a song and just know it is so flooring. Now they are just getting further and further apart. The same goes for Limp Bizkit if I write something that is a bit more poppy and commercial sounding. I don’t think it’s hard I think the first record, Cruel Melody, overlapped a bit with Limp Bizkit, but now if I write something that’s more experimental, I’ll pitch it to Black Light. That’s the heart of it, and our albums get more and more experimental all the time. It’s still born out of despair and emotion. Our shows are definitely fun, and we are light-hearted about having a good time as far as when we play and put 100 percent into all of our shows. I won’t say Black Light is completely a mourning experience. Like if I was with a bunch of people in Manhattan that wanted to go bar-hopping, it’s something I would normally do with Limp Bizkit, but it’s more of a light-hearted good time, whereas with Black Like Burns it’s more so like opening my chest up and vomiting out all of my emotions. The feeling of it is more of a party and is, musically, how I’d spend my Saturday night. I feel like Limp Bizkit is going in a direction that allows me to access some wild and experimental elements of myself, but it is primarily aggressive hip-hop/rock/pop music. Not really, especially because they’re progressing further and further away from each other all the time. I’ve always wanted to be a songwriter and a storyteller and somebody who conveys a feeling to the listener or the viewer.Īs Black Light Burns and Limp Bizkit progress, do you find it more difficult to keep stylistic differences separate? I’m not a shredder, and I’ve never aspired to be a virtuoso player. I’m a guitar player, and I attack the guitar in a certain way that it not fully unique to me, but it’s more unique that some other people. I’ve never really been schooled in music theory. They kind of go back and forth and cross over into each other. #BLACK LIGHT BURNS FREE#But is having trouble and that the little boy knows its not true and is trying to free him from his lies.įuck if i know if its right but i figured wtf no one else commented on the first part. Now he is trying to convince himself that this is who he really is. Now hes making a house to try to hide the truth from everyone and make everyone believe that the other story he told is true and to do it he must keep confidence or it will all fall apart. I think the first part is about how he is creating a lie to the rest of the world. General CommentI agree with the whole hollywood thing.īut anyone and everyone is gonna hear another
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